By Francis G. Gentry
During possibly twenty-five years of artistic productiveness (ca. 1180-ca. 1205), Hartmann von Aue authored a dispute approximately love among the physique and the guts, Die Klage (ca. 1180-85), various songs of courtly love, crusading songs, and probably took half in a campaign himself. He composed the 1st German Arthurian romance, Erec (ca. 1185-90), according to Chr?tien's like-named paintings, and he -- it seems that -- ended his literary occupation with a moment, Iwein (completed ca. 1205). additional, he's the writer of 2 provocative religious-didactic works, Gregorius (ca. 1190--97), a story of double incest, repentance, and redemption, and Der arme Heinrich (also composed ca. 1190-97, yet after Gregorius, the account of a doubtless excellent nobleman who's afflicted with leprosy after which finally cured by means of a strategy set into movement through a truly younger peasant lady, whom he eventually marries. No different medieval German poet treats such a unprecedented breadth of topics with such artistry of expression. The essays during this quantity, written via students from North the US and Europe, provide perception into many facets of Hartmann's oeuvre, together with the medieval and smooth visible and literary reception of his works. the quantity additionally bargains concerns of Hartmann and Chr?tien; Hartmann's putative theological historical past and the impression of the Bible on his stories; the mirrored image of his scientific wisdom in Der arme Heinrich and Iwein; and an entire survey of his lyric construction. more recent avenues of analysis also are provided, with essays on problems with gender and at the function of soreness as a constitutive a part of the courtly adventure. it's was hoping that this quantity will turn out to be a stimulating significant other not just for these conversant in Hartmann but in addition should you are only making the acquaintance of 1 of the best of medieval German poets.
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Additional info for A Companion to the Works of Hartmann von Aue (Studies in German Literature Linguistics and Culture)
The lady’s resolve to give herself to her lover is depicted with an intensity and hopefulness that is usually reserved for the articulation of the male singer’s desire for his lady: “wand ich wâgen wil durch in / den lîp, die êre und al den sin, / sô muoz mir gelingen, ob ich saelic bin” (I will risk life, honor, my entire mind for him, so I will have to succeed, God willing; MF 216, 19–21). The decision taken by the lady is a daring one, for, as Kasten has observed, she risks the security of her social place in the family and must depend solely on the personal loyalty and dependability of her lover (433).
Oxford: Clarendon, 1982. ———. ” In Hartmann von Aue: Changing Perspectives. Ed. Timothy McFarland and Silvia Ranawake. Göppingen: Kümmerle, 1988. 53–63. Schmid, Ludwig. Des minnesängers Hartmann von Aue stand, heimat und geschlecht: Eine kritisch-historische Untersuchung von Dr. Ludwig Schmid . . mit einem Wappenbilde. Tübingen: Fues, 1874. Schreyer, Hermann. Untersuchungen über das Leben und die Dichtungen Hartmanns von Aue. Naumburg: Sieling, 1874. Seiffert, Leslie. “Hartmann and Walther: Two Styles of Individualism.
Chivalry in Twelfth-Century Germany: The Works of Hartmann von Aue. Cambridge: Brewer, 1994. Kasten, Ingrid. ” In Homo Medietas: Aufsätze zu Religiosität, Literatur und Denkformen des Menschen vom Mittelalter bis in die Neuzeit: Festschrift für Alois Maria Haas. Ed. Claudia Brinker-von der Heyde and Niklaus Largier. : Lang, 1999. 419–35. Klare, Andreas. ” In Mittelalterliche Lyrik; Probleme der Poetik. Ed. Thomas Cramer and Ingrid Kasten. Berlin: Schmidt, 1999. 139–68. Nellmann, Eberhard. “Saladin und die Minne.