By Anna Teresa Tymieniecka
Flashes of lightning, resounding thunder, gloomy fog, fabulous sunshine...these are the lifestyles manifestations of the skies. The concrete visceral stories that residing lower than these skies stir inside of us are the floor for person impulses, feelings, sentiments that during their interplay generate their very own ever-changing clouds. whereas our mind concentrates at the discovery of our cosmic place, on the structure of the universe, our mind's eye is expert via the gloomy vapors, the glimmers of fleeting mild, and the honour of the skies. Reconnoitering from the soil of human existence and striving in the direction of the endless, the elan of mind's eye will get stuck up within the clouds of the skies. There in that dimness, sensory receptivity, tendencies, feelings, passionate strivings, yearnings, elevations assemble and propagate. From the 'Passions of the Skies' spring innermost intuitions that nourish literature and the arts. Read more...
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Extra info for Art, literature, and passions of the skies
337. 43 Greene, Op. , p. 253. , p. 254. 45 I have contributed several previous essays on the theme of attention to Analecta Husserliana, including “Literature and the Play of Attention: A New/Ancient Look at the Roots of Evil,” Vol. 85; and “Fiction and the Growth of Moral Consciousness: Attention and Evil,” Vol. 92 (2005). 46 Greene, op. , p. 272. ALIRA ASHVO-MUŇOZ S K I E S PA S S I O N S : R E F L E C T I O N S O N L A P I E L DEL CIELO ABSTRACT Ordinary experiences of the common sense world are accepted as real and awareness of perception creates this reality.
The novel ends as she walks out on him. “-La vi salir hace un rato. Se veía mal. Llevaba una maleta. Le pregunté cuando volvería y respondió que nunca jamás”. [“I saw her left a moment ago. She did not look well. She carried a suitcase. ,439). It was not a surprise; Lorenzo was a lonely man whose main passion was the heavens, “el cielo”, something that very few in Mexico have any inkling for, being out of touch with his surroundings. Her behavior replicates in physics cosmic forces called strange attractors that never identically reflect but form patterns giving simultaneous turbulence and attraction.
Desires and passions are limitless as the universe seems to us. The unlimited refers to an immense variety of modes presented in experience to man, a limitless scale of what differentiates the relationship of one with each specific existing being. We possess experiential knowledge in an infinite range of what differentiates the mode of existence, forming countless distinct units in one. The world that is perceived has infinitude, spatially and temporally, a dimension of time and coexistence; then the infinite in time and space is a probability.